CRY ME A RIVER

CRY ME A RIVER is an original, one of one abstract painting that examines overflow, endurance, and emotional saturation.

The surface is constructed through dense layering of paint, drawing, and written fragments. Color moves vertically and laterally, pooling, bleeding, and reemerging across the canvas. Marks are repeated, interrupted, and redirected, creating a sense of continual accumulation rather than release. Circular forms and vertical channels suggest movement that persists even when obstructed.

Text, symbols, and arrows appear throughout the composition, functioning less as instruction than residue. They point, annotate, and complicate the surface without resolving it. What is expressed is not a single emotion but the aftermath of prolonged expression, where intensity becomes habitual and excess becomes structure.

The work holds grief, frustration, and insistence simultaneously. The river is not dramatic or purifying. It is continuous, crowded, and difficult to redirect.

This piece exists as a singular object.
It will not be reproduced, printed, or repeated.