THE MONSTER I SEE

THE MONSTER I SEE is an original, one of one abstract painting that confronts internal projection, distortion, and recognition.

Circular forms and layered color accumulate around central masses, suggesting figures that emerge and dissolve without fully resolving. Movement is constant but unsettled. Reds, yellows, and dark tones press forward, while cooler layers recede and fracture, creating a surface that feels unstable and emotionally charged. Lines and marks interrupt the field, obscuring clarity and preventing a single point of focus.

The work explores the act of perception turned inward. The monster is not depicted as an external threat but as something formed through accumulation, repetition, and unresolved tension. What appears is shaped by pressure, memory, and self observation rather than narrative.

This painting does not offer confrontation or release. It holds the image in suspension, allowing recognition without resolution.

This piece exists as a singular object.
It will not be reproduced, printed, or repeated.